Glass as a symbol of panoptical ideology Essay Example | Topics and Well Written Essays - 750 words

Glass as a symbol of panoptical political orientation - Essay ExampleGlass as a symbol of panoptical ideology-especially as utilized in Paxtons Crystal Palace-is especially open to interpretation a good deal interpretation that all oversteps the boundaries of intention. The complete opacity of grump offers the spectator a glimpse into another room, yet also leaves the viewer vulnerable to becoming an object of voyeurism. This uninflected line of reasoning is perfectly exemplified by Graeme Davison who writes about the Crystal Palace that it reversed the panoptical principle by fixing the eyes of the multitude upon an concourse of glamorous commodities. The Panopticon was designed so that everyone could be seen the Crystal Palace was designed so that everyone could see (Davison 1982). Although that statement sounds really intelligent and well-considered, the fact remains that the Panopticon was designed with a purpose of surveillance in mind the Crystal Palace was designed merel y to house the Great Exhibition of 1851. ... Kahn even positions her argument from the sales booth that the political functions of architecture are covert, and yet still manages to tie this ideological meaning to a very utilitarian description the structure was suited to its parking area site, quickly designed, and easily assembled (Kahn 1991). Paxtons sketches were quickly designed, almost offhandedly, giving him doubtless little time to think about such things as the ideological meanings behind utilise glass as a building material. For Paxton, glass was simply available and experiential he had worked in the medium before. For Paxton glass held no deeper meaning, the call had foregone out for a building in which to house an exhibition. An exhibition was something that by its very nature needed to engender an ease with which it could be viewed. It is not trying to suppose that Camille Pissarro viewed the great glass structure in much the same way. Pissaros painting of the Cryst al Palace, a domain he went back to twelve time (Nochlin 1989), do not frame the subject of a glass building in a way that presupposes its function as an emblem of modernity or as an ideological statement. For Pissarro, like Paxton, the glass functions in a predominantly utilitarian way. For Paxton, glass functioned as the best way to achieve exhibition for Pissarro the glass functioned in much the same was as the haystacks functioned for Monet, as an interesting subject for capturing the unique differences in the behavior of light. For the Impressionists, nothing matter more than light. Monet painted haystacks over and over at different times of day, capturing the effects of light upon his subject. Pissarro return to the Crystal Palace because he saw it as a perfect subject for capturing the effects of light.Architecture can and